Dahlias can remain in the ground until after frost. Cut off the stems six inches above the ground and lift carefully, for the tubers are brittle and break off easily. Discard any that do. Place the clumps in flats, stem side down, and let them dry off before storing. Just before storing cut off the fine roots and cut the stem back to within an inch or two of the crown. They are best stored in a cool place (about 40 degrees) but may be stored at a warmer temperature if covered with peatmoss or sand. Line the storage boxes with paper. A dusting of sulphur before storing will prevent rot. Be sure to tie labels to the clumps so you will know what is what next year.

Tuberous begonias are lifted after the foliage has yellowed, but don’t remove the foliage until it is dry. Remove the dried stems and clean off the dry soil. Store the tubers in flats in a warm place (50 to 60 degrees) and cover them with peatmoss. They need good circulation of air to prevent rot.

Cannas should be lifted after the first frost and stored in a cool place. To prevent shriveling cover them with dry peatmoss or sand. Many, however, no longer store canna roots over winter, preferring to buy live plants each spring.

Lift Gladiolus corms as the leaves begin to turn yellow. After lifting, cut the foliage to within three inches of the corms and then let them dry off in the sun if possible for a little while each day. When completely dry, dust them with an insecticide to prevent thrips injury. Store them uncovered in a cool place.

Ismenes (Peruvian daffodils) must be lifted very carefully to preserve the root system. So, dig deeply. Spread out the plants indoors to dry. Remove the tops but not the roots. Store them uncovered in a place where the temperature will not go below 50 degrees.

Montbretias may be left in the ground if given a heavy covering of leaves. If lifted they should be removed from the ground in clumps with the soil clinging to them. Don’t let the soil dry out.

Tuberose bulbs should be lifted in clumps and dried off for storage in a warm dry place. Divide into single bulbs during the winter or use a second year without dividing the clumps.

In The Greenhouse

Repotting is one of the round-the-year jobs. When in doubt about the need for repotting, knock the plant like the watermelon peperomia out of the pot. If the ball is well covered with roots it is time for repotting. Don’t repot flowering plants that have flower buds forming. Soak new flower pots in a tub of water for at least a half hour before they are used.

Freesias that were potted and placed in the coldframe should now have several inches of growth. Bring them into a cool part of the greenhouse before frost. For better results give them a weekly feeding.

Watering. Don’t just turn on the hose and water everything in sight. Water plants when they need it. When in doubt give the pot a sharp knock with the handle of your pocketknife and if the pot rings water is needed. A dull thud indicates the soil is still damp. Soil in benches that feels dry and somewhat crumbly needs a thorough soaking with the hose or watering pot.

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Not quite the same as unity, but an important part of it, is harmony – a restful quality created when all parts of a design or decorative effect add up to one style or mood. An extreme example may illustrate the point. Setting an urn of clean, stark contemporary lines beside an ornate, Victorian garden seat would be inharmonious; each style is foreign to and unsympathetic with the other. But a low fence is in harmony with the rose that clambers over it; vining plants can unite harmoniously the upright plants in a window box with the box itself.

There are innumerable techniques for unifying a design, of which the following five are probably basic.

1. To have unity, a design usually has only one focal point or center of interest. For example, a vine or other planting and its container can be the object of interest against a wall; or the vine can be so arranged that it supports a center of interest, like a fireplace. Any attempt to use it for both purposes can result in either chaos or complete lack of interest.

2. To have unity, a decorative effect should be designed to hold the eye inside the picture. The flowing lines of vines are particularly effective here. Training a vine around a large window, for example, holds the eye and keeps it from wandering off.

3. To have unity, the elements of a design can often be arranged so that they interlock or overlap. Here again, vines are useful. Without a vine planted at its base, a tall shrub may seem entirely separate from the tub it is planted in; when a vine overlaps the container below and the shrub above, the two are tied together.

4. To have unity, the important parts of a design must be in pleasing relative proportion or scale. The vine selected to blend a shrub like yucca branched and its tub should be neither so small that the shrub overpowers it, nor so large and bold that it dwarfs the shrub.

5. To have unity, a design or decorative effect should be executed with restraint, moderation, good taste. Too many elements create a disturbing, helter-skelter, cluttered appearance. So a single wall bracket or hanging basket, or a matching or harmonious pair, is generally preferable to a varied assortment.

Create your own unity in the landscape with vines!

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This is good exercise for the mind. While you do it, you will become familiar with the good and bad points of garden arrangements as they actually appear. In this way you will build a mental storehouse of gardening ideas on which you can call when designing your own property.

Plot Plan

Once you have pulled some ideas together it is time to begin putting together your plot plan. Now you will have to sit down and begin to draw a plan of your property.

You do not have to be an artist to make an accurate plan. The two essentials are: careful measurement of your plot and of the buildings on it, and an accurate scaling down of these measurements; secondly, exact placement of the dots which represent the centers of the plants precisely where you want them to be. Parenthetically, we, might stress again that you should save money by avoiding overcrowding. This is the easiest mistake for you to make; indeed, it is the most common error of professionals.

Do Not Copy

You have been warned – Do Not slavishly imitate your neighbors’ gardens. The idea is to pull from others – inspiration – take your ideas and improvements to create your own blueprint for what you will do to your garden. As for me, i prefer to have air cleaning plants to be unique. Carbon copies of neighbors ideas and gardens are the last thing you want as the result of your effort.

Our hope is to give you the necessary tools for planning and executing a fine garden. If you follow the approach outlined above, you will be able to think clearly about your property. You will regard it as a personal challenge. The information you have acquired will provide weapons that will help you to meet the challenge and to make an individual, unique setting for your home.

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